vendredi 17 décembre 2010
vendredi 12 novembre 2010
jeudi 11 novembre 2010
dimanche 25 avril 2010
Reef Rider Productions
I am delighted to announce that I have been invited to join the Musician list represented on Reef Rider Productions website.
This site is breaking ground for the future of the music industry in the world today, where music lovers can discover or rediscover the very best music the world has to offer in any genre. A website that represents a standard of music that will ensure the development and re-establishment of a healthy music industry. A site where great music is guaranteed and where recognised, and unknown artists are showcased.
My hat off to Charles E Compton Sr for creating this arena for musicians and great music
http://reefriderproductions.com
This site is breaking ground for the future of the music industry in the world today, where music lovers can discover or rediscover the very best music the world has to offer in any genre. A website that represents a standard of music that will ensure the development and re-establishment of a healthy music industry. A site where great music is guaranteed and where recognised, and unknown artists are showcased.
My hat off to Charles E Compton Sr for creating this arena for musicians and great music
http://reefriderproductions.com
lundi 12 avril 2010
Blues in Open Dminor
Chris talks about the blues legacy and Open D minor:
I've been playing open D minor since I was 16. It's a wonderful key, I use it for bottleneck and chords also. I've developed my own chords over the years, I guess they may be written somewhere, I don't know. I've only ever recorded 2 pieces with it. One many years ago on Dobro. Recently a track which I believe maybe a today's version of Delta. I spent many years playing Delta blues and this is a sound and style that is very dear to me. The open tuning gives this blues such deep soul. I have a great regard for the blues guys from this era, Skip James, Son House, Bukka White, Charlie Patton and Big Bill Broonzy, I love them all. I believe from listening to them has given me the freedom in my soul to play what I do today.
I've been playing open D minor since I was 16. It's a wonderful key, I use it for bottleneck and chords also. I've developed my own chords over the years, I guess they may be written somewhere, I don't know. I've only ever recorded 2 pieces with it. One many years ago on Dobro. Recently a track which I believe maybe a today's version of Delta. I spent many years playing Delta blues and this is a sound and style that is very dear to me. The open tuning gives this blues such deep soul. I have a great regard for the blues guys from this era, Skip James, Son House, Bukka White, Charlie Patton and Big Bill Broonzy, I love them all. I believe from listening to them has given me the freedom in my soul to play what I do today.
mercredi 27 janvier 2010
mercredi 13 janvier 2010
Rory Gallagher
Hi milo, thanks for the mail...
I was just a kid when I met Rory. I can't remember the venue (I really wish I could). It was a bar in Manchester sometime in either '73 or '74.
A friend of mine introduced me to the band and I ended up playing. Rory asked me what my name was, I said Chris Dair, and he said "it can't be Dair, it must be O'Dair", which I later found was true! I remember we played Catfish Blues and it was absolutely brilliant, a knockout.
I met him again at the Free Trade Hall awhile after that. The guy I was with knew the singer out of the support band and we were backstage saying Hi, talking and drinks etc. All of us, including Rory of course, went back to the Imperial for drinks after the gig, and I was there till about 5 am, Rory just played all night. I remember he played Traintime Blues on this old steel guitar (not sure if it was a Dobro) for about half an hour. Rory also played my Dobro.
He was a very down to earth guy, there was no edge to him whatsoever, he said what he believed and that was it. I got the impression he wouldn't say anything unless he meant it. He believed very passionately in what he was doing.
I remember having to get a taxi to the station and coming back home on the "milk train" in the morning.
The way I feel about people like Rory now is very different to how it felt at the time. Then it didn't seem that much out of the ordinary to any of us.
Hope this is of interest to you - It was a very special time for me as a guitarist, and I treasure the opportunity I had to meet and play with Rory.
Best wishes...Into the music...Chris Dair
I was just a kid when I met Rory. I can't remember the venue (I really wish I could). It was a bar in Manchester sometime in either '73 or '74.
A friend of mine introduced me to the band and I ended up playing. Rory asked me what my name was, I said Chris Dair, and he said "it can't be Dair, it must be O'Dair", which I later found was true! I remember we played Catfish Blues and it was absolutely brilliant, a knockout.
I met him again at the Free Trade Hall awhile after that. The guy I was with knew the singer out of the support band and we were backstage saying Hi, talking and drinks etc. All of us, including Rory of course, went back to the Imperial for drinks after the gig, and I was there till about 5 am, Rory just played all night. I remember he played Traintime Blues on this old steel guitar (not sure if it was a Dobro) for about half an hour. Rory also played my Dobro.
He was a very down to earth guy, there was no edge to him whatsoever, he said what he believed and that was it. I got the impression he wouldn't say anything unless he meant it. He believed very passionately in what he was doing.
I remember having to get a taxi to the station and coming back home on the "milk train" in the morning.
The way I feel about people like Rory now is very different to how it felt at the time. Then it didn't seem that much out of the ordinary to any of us.
Hope this is of interest to you - It was a very special time for me as a guitarist, and I treasure the opportunity I had to meet and play with Rory.
Best wishes...Into the music...Chris Dair
mardi 12 janvier 2010
samedi 9 janvier 2010
lundi 4 janvier 2010
dimanche 3 janvier 2010
Bukka White
Bukka White and Chris Dair
I met Bukka White when I was a very young guitarist, he was doing a tour with several other great jazz/blues players - I am pretty sure it was in Leek, Staffordshire in the UK - I wish I'd chronicled all the people I played with during that period of my life!
As a musician it was the really important things that stuck in my mind, for instance, who he was, what he was playing. He played with incredible technique on his right hand - kind of playing a double rythm (slide with left), he was playing a Dobro, I don't remember the song. Afterwards he was a true gent as always and said to me "That's some fine guitar!". Needless to say I never forgot that!
Chris Dair
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